Chapter 1653 Porcelain Mother
Lu Fei carefully checked and confirmed that there were no signs of temporary opening of the boxes in Yoshida Ohno's warehouse, and he was relieved.
"Tianbao!"
"From now on, the six of you will stay here."
"I'll tell you when to leave."
"No one is allowed to touch the box until notified."
"Don't worry, Brother Fei, leave it to me." Zhu Tianbao promised, patting his chest.
"Yoshida, you choose one to take away, and we go to the front to sign the contract."
"Lu Fei, do you have to go so far?" Yoshida Ohno said through gritted teeth.
"Excessive?"
"If you think it's too much, my people can leave at any time."
"but"
"snort!"
"Stop talking, let's sign a contract!"
"However, your people are not allowed to touch my box until there is no result."
"Otherwise, any losses incurred will be borne entirely by you."
"no problem!"
Yoshida Ohno chose a large wooden box one meter square and took it away, and Lu Fei followed him back to the treasure fighting platform.
The audience could hear the bet between the two clearly.
Everyone knows how crucial this game is.
If Yoshida wins, not only can he regain the game, but he can also win back the Seven Treasures Pure Gold Ashoka Tower.
On the other hand, if Lu Fei wins, this will be the last game tonight.
When it came to the match point, everyone was extremely excited.
Lu Fei followed Yoshida out of the passage, and the audience burst into applause.
Back to the treasure fighting stage, the two parties signed the contract in front of the referee.
The gambling agreement comes into effect.
Yoshida Ohno made a desperate move, and his team and the shareholders who stayed in the background were sweating nervously.
Lu Fei's friends were worried to death.
He was afraid that Lu Fei would fall short.
Yoshida Ohno dismantled it himself
wooden box.
The packaging board was opened, and it was filled with paper scraps and hay.
The scraps of paper were removed bit by bit, and a large object wrapped in high-density foam appeared in the middle.
Taking out the whole foam bag, Yoshida Ohno carefully dismantled the foam.
A few minutes later, the purple ground painted with enamel flowers wrapped around the mouth appeared in front of everyone.
Just seeing this edge, Lu Fei stood up.
Fatty Guan Haishan King was shocked and frowned at the same time.
Yoshida Ohno removed the entire last layer of foam, and what appeared in front of everyone was an extremely beautiful double-eared multi-elephant bottle.
This porcelain vase is sixty centimeters high, about eighteen centimeters in diameter and twenty centimeters in diameter.
The mouthwash bottle has a long neck, a long round belly, and a rounded foot.
A chi ear is placed on each side of the neck.
The body of the vessel is decorated with seventeen layers of glaze and color from top to bottom.
The types of overglaze decoration used include gold color, enamel color, pastel color, etc.
Underglaze color decoration varieties include blue and white, and doucai, which combines overglaze color and underglaze color.
The glazes used include imitation Ge glaze, turquoise green glaze, kiln glaze, pink celadon glaze, Ji blue glaze, imitation Ru glaze, imitation official glaze, sauce glaze, etc.
The theme decoration is on the belly of the bottle, with auspicious patterns of golden consecration and pastel on the blue glaze. There are twelve consecrations in total, six of which are realistic pictures.
They are "Three Yang Kaitai", "Auspicious Qing Yu", "Danfeng Chaoyang", "Taiping Xiang", "Xianshan Qiongge", and "Bogu Jiuding".
The other six paintings are the characters "swastika", bat, wishful thinking, panchi, Ganoderma lucidum and flowers, which respectively mean "ten thousand", "blessing", "ruyi", "ward off evil", "longevity" and "wealth".
This amphorae is richly decorated and colorful.
One porcelain bottle contains almost all the glaze colors of the top porcelain of the Chinese civilization. It is simply ingenious.
work.
"What a nice view!"
"What a beautiful porcelain vase!"
The lay audience was deeply impressed by the splendor of the porcelain vase, while the experts in the front row were not calm.
The big guys in the archaeological and collection circles all stood up.
Zhang Yanhe circled her hands into a trumpet and shouted at the stage.
"Yoshida, turn the bottle upside down and let us take a look at the base and inner wall."
Yoshida Ohno was not stingy, he actually put the amphora to the ground.
The cameraman came closer with the camera to capture every detail.
When they saw the turquoise green inner wall and looped feet, the old guys' eyes nearly popped out.
When they saw the six-character running script "Made in the Qianlong Year of the Qing Dynasty", all the experts were confused.
Zhang Yanhe stared and covered her mouth with both hands, squeezing out a few words from between her fingers.
"Chinese Porcelain Mother?"
Seeing everyone's surprised expressions, Yoshida Ohno changed his mood and laughed.
"That's right!"
"This is the Shenzhou porcelain mother made under the orders of Qianlong and supervised by Tang Ying. The double-eared porcelain mother-shaped bottle is like a vase."
"There is only this one in the world, there is no more semicolon."
"Please ask the referee to identify and estimate it!"
Although everyone could tell it was Porcelain Mother, they were still shocked when they actually heard the answer from Yoshida Ohno.
The veterans present, in addition to being collectors, are also the leaders of provincial and provincial museums.
These are all people with rich experience who have seen the world.
But when these big guys saw this porcelain vase, no one could pretend to be calm.
It’s not that the big guys are not reserved enough, it’s because this porcelain vase is so awesome.
In the twenty-third year of Qianlong's reign, Emperor Qianlong had an almost incredible idea.
That is to concentrate the craftsmanship characteristics of ancient famous porcelain into one work.
want
Being able to do it is definitely a miracle in the history of Chinese porcelain, and it is also the best treasure to show off.
Emperor Qianlong handed over this glorious and great task to Tang Ying, the porcelain supervisor, which made Tang Ying very worried.
According to unofficial histories, Tang Ying almost committed suicide several times just for this almost impossible task.
Later, after joint research by hundreds of porcelain masters, a feasibility report was compiled.
Not to mention anything else, the preliminary preparation and composition alone took a full two years.
Two years later, the first draft of the amphora was finally finalized.
With the design drawings in hand, the next experiment made everyone worried.
Seventeen kinds of glaze water, firing temperatures are completely different.
It would be extremely difficult to burn them all at the same time.
After a whole year of experimentation and countless failures, it was still in vain.
Just when everyone was at a loss, Tang Ying discovered an interesting situation.
One day when dinner was about to start, Tang Ying found a kiln worker holding a clay ball and preparing to throw it into the fire.
Tang Ying asked him what he was going to do, and the worker said he was burning pigeons.
Tang Ying was stunned when she heard this.
Because Tang Ying discovered that the top, middle and bottom of this mud ball had three colors, which were three fundamentally different soil qualities.
It stands to reason that burning pigeons can be wrapped in loess, but why do we need to use three types of soil?
The worker chuckled and quickly explained to Tang Ying.
It turned out that the workers accidentally shot a pigeon today and planned to wrap the pigeon with soil and throw it into the fire to roast the meat.
However, the meat on the head, chest and legs of pigeons varies in size and thickness.
If they are fired at the same time, the heat will be uneven.
If the breasts are cooked, the head and legs will be mushy and wasted.
These three kinds of soil have different fire resistance. Wrap it like this to ensure that the whole body matures at the same time, so that it will not be wasted.
When Tang Ying heard this, she suddenly became enlightened.
