Chapter 781 Relics
After being scolded by Lu Fei, Di Ruilong was so frightened that he knelt down in front of the treasure letter and kowtowed like a chicken pecking at rice.
He muttered words, all of which were New Year's greetings to apologize.
Seeing this guy in such a frightened state, Lu Fei almost laughed out loud.
"Get the fuck up!"
"How can I worship Buddha like you? You are just dying!"
"Brother, what should that look like?"
"I'm really scared now!" the little puppy said tremblingly. .??.
“If you have a Buddha in your heart, you don’t necessarily have to worship the Buddha.”
"It is said that if the Buddha sits in the heart, everything can be done."
"As long as you have Buddha in your heart, nothing is taboo."
"But since you believe in Buddhism, you must not blaspheme the Buddha. This is disrespectful."
"From now on, just control your bad mouth and don't spit shit all over your mouth at Buddha statues or temples." Lu Fei said.
The little puppy stood up tremblingly and said.
"Brother, you should also pay attention!"
"You were also swearing just now!"
"careful"
"Be careful, uncle, I don't believe in Buddhism."
"Get out of my way!"
After kicking the little puppy away again, Lu Fei opened the treasure letter again.
The gilt silver treasure letter with the top of the Four Heavenly Kings was placed aside. What was exposed inside was the plain silver letter with the top of the head.
The silver treasure letter with a plain face and a top is light and smooth, pure and radiant without the slightest carving or painting.
Showing the utmost simplicity and returning to nature.
It's unique and very grand.
This is the third to last treasure letter that has been opened. It is still very large, which means that there is more inside.
Judging from the current situation, this treasure letter has at least four layers, which is already a very high standard.
At this point, Lu Fei became nervous.
Nervousness is not awe. Lu Fei is a Taoist disciple and follows
Buddhism has nothing to do with it.
The reason why he was nervous was because of the extremely high specifications of this treasure letter, which made Lu Fei look forward to what was inside.
Take the plain-faced silver treasure letter aside, the fourth floor from the bottom is so beautiful.
This is a gilded silver treasure letter on the top of the Buddha's Dharma.
The sheet metal is formed and the pattern is gilded.
On the front of the letter is the Tathagata, surrounded by two bodhisattvas, four disciples, two vajra warriors, and two worshiping boys.
The outer walls are chiselled with images of Tathagata and Avalokitesvara, or decorated with two flying phoenixes, with arabesque patterns, or engraved with images of Vajra Sands consecrating the Buddha.
The modeling is realistic and delicate, the scenes are rich and vivid, there are many characters, and the craftsmanship is exquisite.
"Xiaolong, what is carved on this is the Tathagata preaching the scriptures. Do you want to pay homage to it?"
"thump!"
As soon as Lu Fei finished speaking, the little dog knelt directly in front of Bao Han and asked with a pious look.
"Brother, how do I worship?"
"Ha ha"
"I'm kidding you, get up, don't embarrass yourself."
"Hahaha."
Wang Xinlei laughed, and the little puppy's nose became angry.
"I"
Just when he was about to curse, thinking of what Lu Fei just said, he covered his mouth numbly.
It was so funny and cute that Lu Fei and Wang Xinlei had stomachaches from laughing.
After laughing, the opening of the treasure letter continued.
After removing the gilt silver treasure letter of the Tathagata preaching the Dharma, there is something even more incredible inside. It is a six-armed Guanyin pure gold treasure letter with the crown.
The cover is carved with two phoenixes and lotus pods, and four auspicious birds are chasing around the center on the side of the cover.
On the front is a picture of Avalokitesvara with six arms, on the left is a picture of Medicine Buddha, and on the right is Amitabha
A picture of Buddha and a picture of the Great Sun Tathagata on the back.
The outer walls are chiselled with images of Tathagata and Avalokitesvara, or decorated with two flying phoenixes, with arabesque patterns, or engraved with images of Vajra Sands consecrating the Buddha.
The shape is delicate, lifelike, and the treasure is solemn.
After removing this layer of treasure letter, there is still one inside, and it is more beautiful.
This is a pure gold letter with mother-of-pearls in a gold basket.
Carved in pure gold, the body is inlaid with rubies, emeralds, jade, agate, turquoise and other precious stones.
It is also inlaid with gemstone flowers, and red and green gemstones on the top and sides of the cover are inlaid with large and small lotuses.
The whole body is inlaid with pearls and gemstones, and carved with petal patterns, which is extremely gorgeous and exquisite.
This is already the sixth to last treasure letter.
Such specifications and luxury made Lu Fei take a breath of air.
Take away this heavy treasure letter, there is another one inside, and it is equally luxurious.
This is a gold basket, mother-of-pearl and warrior stone treasure letter.
It is made of polished pearl-clad warrior stone. It is edged by a carved gold belt and inlaid with jewels, flowers and birds. The whole body is inlaid with pearls and gemstones, and carved with petal patterns. This is a typical Buddhist style of the Tang Dynasty.
The treasure letter of the Tang Dynasty was so exquisite and luxurious that it had seven layers in total.
The seven-story pagoda and eight-story letter are the top features of Buddhism.
In other words, there must be another and the last treasure letter inside.
OMG!
Such a luxurious eight-fold treasure letter from the Tang Dynasty. What kind of power would it take to be worthy of it?
By now, Lu Fei was extremely nervous.
His hands were shaking slightly, and he didn't care about teasing the little puppy at all.
Taking a deep breath, Lu Fei opened the seventh-to-last treasure letter.
When the golden basket of treasures and pearls contained the warrior's stone treasure letter was taken away, Lu Fei suddenly took a breath of air, and two rays of light emitted from his obsidian eyes.
, the pupils shrank to the extreme.
Inside is no longer a treasure letter, but a pure gold pagoda with a single eaves and four doors.
The golden pagoda is a little over one centimeter high. The top of the pagoda is made of gold lotus flowers holding gold beads, and the eaves on all sides are raised.
The forehead of the pavilion and under the eaves are decorated with rhombus patterns, and the four walls of the tower are fully carved with patterns. There are four small golden doors with fish roe patterns around them. There is a symbolic flying ladder at the bottom of the door to the tower base. It is small, exquisite, and resplendent.
The plate is in the shape of a thin neck and drum waist. Twelve wishful cloud heads are carved at the diameter of the trumpet. Two parallel lines on the drum waist are connected into four groups of rod-shaped cross flowers with three cobalt patterns, lined with pearl patterns. The bottom of the waist is in the shape of lotus petals, with silver The base of the column is also in the shape of an eight-petal lotus.
There are three cobalt patterns in the middle, the base of the tower is a pure gold square platform, with the word "南" engraved on it, and a small silver column one centimeter long in the middle.
On the small silver pillar, there is a finger bone about four centimeters long.
Based on experience, this should be the middle finger phalanx, which is dark yellow in color, has yellow spots and a few crystal particles, and has a crack.
Lu Fei brought the flashlight closer and looked at the phalanx carefully, then closed his eyes and fell into deep thought.
Five seconds later, Lu Fei opened his eyes again and exclaimed.
"It's actually him?"
Daoxuan of the Tang Dynasty recorded in "Ji Shenzhou Three Treasures Gantong Lu": "The beginning of the relic is like the first bone of the little finger, two inches long, the inside is square and square, the outside is lined, the bottom is flat and the top is round, and the inside and outside are bright and clean."
"The Records of Xiantong Qishu Qiyang Zhenshen of the Tang Dynasty" contains: "One inch and two minutes long, folded at the top and bottom, different heights, three sides are flat, one side is slightly higher, and there are hidden marks in the middle. The color is white like rain and slightly green, fine and Ze, the marrow point is large and connects both the upper and lower sides."
The size and shape of this finger bone are completely consistent with what was recorded in Daoxuan's "Gantong Lu" and "Zhiwen Stele".
Is this actually the finger bone relic of Sakyamuni's true body?
How can this be?
How is this possible!
OMG!
This is incredible!
