Chapter ninety-seven Yuanci

For the same talisman, the yellow paper talisman is definitely not as powerful as the one made of jade.

To amplify the effect of a certain talisman, you can use the technique of superimposing talismans.

For example, the hanging talisman that Zhao Yu just thought about to offset gravity is made of jade and is about the size of a palm. According to Zhao Yu's estimation, such a talisman can suspend objects weighing up to ten tons and offset the influence of gravity.

A hanging talisman, used on a vehicle, can make the vehicle float in the air. But it cannot be used on airplanes or large ships. Airplanes and ships often weigh hundreds or thousands of tons, and are too large.

Of course, if you want to make a huge object like an airplane or a ship hang in the air by counteracting gravity, you can start with its own material and use the lightest material to make it. But while taking into account its sturdiness, such a large machine cannot be much lighter no matter how light the material is.

So in general, talismans are the foundation.

How can we make the talisman engraved on the core power module have the effect of making a giant thing of thousands of tons levitate?

"The art of superposition..."

Zhao Yu thought: "There is still a formation!"

The technique of superposition is to superimpose layers of talisman patterns on the talisman-making materials of the same size. Palm-sized jade, stacked in two layers, is like having two talismans on the same piece of jade. Stacking four and five layers can basically meet Zhao Yu's requirements.

But the technique of superimposing talismans sounds simple, but it is difficult to operate. The effect is not as simple as one plus one. But it grows exponentially. Two layers of superposition, based on ten tons, can offset the influence of gravity of one hundred tons. Three layers can reach 1,000 tons, and four layers can reach 10,000 tons. If there are five floors, one hundred thousand tons will not be a problem.

However, on a palm-sized material, superimposing multiple layers of the same type of Dao pattern is not only an extremely detailed job, but also very difficult. The key to the art of superposition is that each layer cannot overlap, and every talisman and pattern on each layer must have the most subtle differences. If it overlaps, it is not a superposition. If the inscriptions overlap completely thousands of times, in the end it will still be just one talisman, rather than tens of millions of layers superimposed. This is not the most important thing.

The most important thing is that each layer of talismans must not hinder each other, but must be perfectly integrated. The same talismans also interact with each other. If you are not careful when superimposing, even if it is created, its effect will even be reduced. The effect of two layers of bad superposition is not as good as that of a single talisman.

This requires Zhao Yu to use the most subtle use of his spiritual consciousness when making talismans and engraving.

The truth behind this should also be applied to the assembly line-like magic weapon he wants to refine. Because core power modules are manufactured in batches, it is impossible for Zhao Yu to complete it with his own hands. Use magic weapons. Therefore, when refining this magical weapon, another level of difficulty is added.

In addition to the inherent difficulty in the superposition of talismans, the material requirements of the superposition technique are equally high.

Zhao Yu weighed a piece of jade, analyzed it with his spiritual consciousness, and came to a conclusion-the material of the above-mentioned good-quality Dushan jade can only be superimposed with three layers of talisman and Taoist patterns at most. Beyond this limit, jade will collapse.

Therefore, Zhao Yu also needs to carefully consider the material of the talisman making material.

The material of jade is not up to the requirement of stacking five layers of suspended talismans.

He took another piece of fine steel and compared it. He found that the number of layers of talismans that the fine steel could carry could meet the requirements. However, fine steel does not have the effect of jade in absorbing the energy of heaven and earth.

Why did Zhao Yu only use jade to make talismans? There are countless materials that are harder than jade. However, in terms of the activity of the Yuan Qi of heaven and earth, nothing can compare with jade.

Of course, if you use mana to temper the fine steel and refine spiritual materials such as iron mother, you can certainly meet the requirements. But what Zhao Yu wants is to be popularized. Tempering fine steel without the activity of the energy of heaven and earth into iron mother, a low-grade spiritual material whose activity is comparable to or even surpasses that of jade, cannot be accomplished through outsiders' methods.

“Perhaps we can take the best of both worlds and merge them into one.”

Zhao Yu suddenly thought of this method.

In addition to the superposition technique, the magical effects of the superposition technique can also be achieved in the form of formations. Zhao Yu temporarily put aside his thoughts about the superposition of talismans and thought of another method.

For example, the effect of a formation using five five-element talismans is completely beyond the reach of a single talisman. The effect is amplification thousands of times.

The five elements are endless, cycle back and forth, and form a whole, which is why they have such great power.

Therefore, taking the hanging talisman as an example, and then researching four other talismans of the same level, engraving them on a small power core module, and using them to form an array to complete the five elements cycle can also meet Zhao Yu's needs.

"The hanging talisman belongs to earth and offsets gravity. It should be regarded as a superficial application of earth element Yuan Qi in the way of Yuan Magnetic."

Zhao Yu thought of the Five Elements Magnetism.

The foundation of the entire universe is the five elements. The mutual influence of the five elements of magnetism builds the stability of the universe. A theory developed by outsider science and technology in modern society, the so-called four basic forces, is actually a manifestation of the five elements' magnetism.

However, the four basic forces are far from being able to explain the five elements of magnetism.

However, the four basic forces can be regarded as some manifestations of the five elements' magnetism on the path of the four images.

The Five Elements and Four Symbols are originally one body.

In the universe, everything from super-clusters and galaxy groups to any planet or even a speck of dust has its own unique power. The larger the body, the stronger this force. The sun is able to bind the planets throughout the solar system because it is larger than all the planets. Its own force can bind all the planets and make them orbit around it. From the smallest dust to the largest super galaxy cluster and even higher-level celestial systems, they all form perfect operating structures of celestial systems under the action of this force.

And this force is the five elements of magnetism.

The experience of Tian Yanjing's illusion, although many details are illusory and fake. However, many big truths are actually true.

The highest expression of the five elements' magnetism is the five-color divine light.

Why can the five-color divine light of Dzogchen be destroyed by one swipe? Because it contains the most basic principles of the operation of the five elements of the universe.

It can be said that the hanging talisman is Zhao Yu's first step in the path of the five elements of magnetism.

Of course, we've only just scratched the surface.

Zhao Yu knew that the Five Elements Magnetism was the fundamental path to the five-color divine light and the five-element avenue, but he knew what he knew. For example, I know that we can reach Mars by taking a spaceship, but I am at a loss as to how to build a spaceship.

But after all there is a direction. Therefore, the experience of Tian Yanjing's illusion undoubtedly pointed out some directions in practice for Zhao Yu.