Chapter 252: The finishing touch

Su Che smiled and said:

"Master Gong and I have the same idea. In fact, I shared this script in the hope that this story that has been hidden in my heart for a long time can be made into a movie and presented to the world!"

"Great!"

Miyazaki Hayao was excited and said:

"Mr. Su Che, I solemnly invite you to join my studio as the chief screenwriter and work with me to complete this epoch-making animated film!

In addition, I will buy the original copyright of this story from you at the highest price in the industry, two million dollars plus 10% of the box office share! Of course, if you think it's too little, we can discuss it later..."

"No, just this price."

Su Che smiled and waved his hand.

You should know that each of Miyazaki Hayao's animated films has a global box office of at least 1 billion US dollars, and a 10% share of the box office is 100 million US dollars, which is not an exaggeration to call it a sky-high copyright fee!

Afterwards, Su Che and Miyazaki Hayao signed a contract.

According to the contract, Su Che was responsible for the creation and improvement of the script, while Miyazaki was responsible for the animation design of the character prototype.

The two parties hit it off, and Su Che simply turned down the flight ticket back home today and decided to stay in Japan for a while until this great work was born!

…

Su Che stayed directly in the hotel next to Miyazaki's studio, which was convenient for contact. Su Che continued to improve many details of the script, and consulted a lot of information, combined with the local cultural factors of Japan, to make the whole script more substantial and full!

When Miyazaki and the entire production team saw the script that Su Che finally called, everyone was deeply attracted by the content of the script, and they all shouted that this movie would definitely make a sensation around the world!

That day, Su Che came to Miyazaki's office, and saw Miyazaki sitting in front of the drawing board, frowning and thinking.

He sometimes added a few strokes on the drawing board, and sometimes erased it. He changed it again and again, but his frown never relaxed, and he seemed to be unsatisfied.

"Master Gong, what's wrong?"

Su Che stepped forward and asked.

"Oh! Mr. Su Che, you're here!"

Master Gong looked up, his face showing some helplessness:

"The images of several main characters in the animation have been confirmed, but I feel awkward no matter how I draw this key white dragon. White Dragon is a handsome boy, which is not difficult to draw, but his true identity is a god. Although he has lost his memory, his temperament should also maintain divinity. It is really difficult to perfectly reflect it in a young boy..."

"Really?"

Su Che nodded, thinking it made sense, and walked forward and said:

"What is the current image? Let me see."

"Look, it's like this. Although it is handsome enough, it lacks divinity..."

Miyazaki pointed at the drawing board and frowned.

"Hmm..."

Su Che looked at the "white dragon" on the drawing board, looked at it carefully for a while, and then smiled:

"Master Gong, you don't mind if I make some changes on it?"

"Change?"

The other painters around were shocked when they heard this.

Is this guy crazy? He actually said he wanted to change Master Gong's work?

You know, in the whole of Japan, no one is better than Hayao Miyazaki in the construction of animated characters. Which of the characters designed by Hayao Miyazaki is not vivid and lively? Even if Master Hayao Miyazaki himself is not satisfied, it is not something that you, a layman, can change at will!

Hayao Miyazaki was also a little surprised, but he always felt that Su Che in front of him was unfathomable, so he nodded and said:

"Mr. Su Che, you can change it, anyway, it's just a draft."

Su Che nodded, picked up the brush, and carefully looked at the white dragon on the drawing board for a while. After a thought, he added a stroke on it!

"This should be much better!"

Su Che touched his chin and nodded with satisfaction.

"It's just a change, what can it be? Su Che is not here to make trouble!"

Those painters couldn't help shaking their heads, and didn't think Su Che could draw well at all!

But who would have thought that Miyazaki, who was sitting in front of the drawing board and watching Su Che's revision process, was looking at the drawing board with a pair of deep eyes, showing a deep shock!

"Wonderful! It's really wonderful! Although it's just a change! This white dragon is immediately different! It's exactly what I thought of the white dragon when I read the script!"

What? !

Hearing Miyazaki's praise, all the painters were surprised and hurried over.

When they saw that the white dragon, which was originally handsome but lacked some flavor, suddenly became vivid, especially in his eyebrows, it added a divine brilliance and charm, and the painters present were dumbfounded.

"Si Gou Rui! This... this Bai Long is completely different from before!"

"Yeah, it seems that he just changed his eyebrows, but I didn't expect that the character's image and temperament have completely changed! It's so amazing!"

"Damn! Mr. Su Che, have you really never learned any animation-related knowledge? Your talent is simply amazing!"

...

Countless painters admired Su Che, and there was only shock and admiration in their hearts.

Miyazaki Hayao on the side was the most shocked. He looked at Su Che in disbelief. He didn't expect Su Che to be so talented!

Not only did he create a perfect script, but even the character image became lifelike under his pen.

Miyazaki Hayao gave Su Che a thumbs up and exclaimed:

"I've heard for a long time that you, Yan Xia, have a story about the finishing touch. Mr. Su Che, the effect of your stroke is no less than the legendary finishing touch! It's really amazing! I really learned a lot today, old man!"

Su Che smiled slightly and said:

"Master Gong is overly praised. After all, I created this script. I must have a deeper understanding of the characters I created. It's nothing!"

"No, no, no! You are still too modest. If there were other screenwriters, even if they created the script, it would be impossible for them to complete the image construction of their own characters. Who can do it like you! "

Hayao Miyazaki is still full of praise.

"Haha, now that the final script and characters have been completed, the production of the movie will be handed over to Master Gong. I can go back to China with peace of mind."

Su Che bowed slightly to Miyazaki, then turned and left.

As everyone looked at Su Che's leaving figure, their faces were still extremely shocked.

With an indescribable expression on his face, Hayao Miyazaki couldn't help but admired from the bottom of his heart:

"If I didn't believe in Christ, I would really doubt whether this man was the reincarnation of God..."

…

The production of "Spirited Away" only took Su Che three days in total. Su Che's return to China was delayed for three days, which was not too long.

The next day, when Su Che returned to China, he immediately went to Shanghai No. 1 Hospital and met the patients he had treated before, Tiantian, Congcong and others.

Those young patients have been practicing Xingyi Quan strictly according to Su Che's requirements, and their physical condition is getting better day by day. Even the patients with serious illness are in very good condition.

In short, everything developed as Su Che expected, which made Su Che feel completely relieved.

…