Chapter 21 Nicoléme’s Alchemy Workshop (Third update, please vote for recommendations)

"No core?" Wright stopped the movement of his wrist and looked at Nicolas Flamel in confusion.

In Wright's impression, as long as the world uses magic wands, their wand makers should add cores to the wands, right?

Even the Ollivander family, who have been making wands since 382 BC, add cores to the wands they sell publicly in Diagon Alley. During the years when Garrick Ollivander served as the patriarch, the cores of all the wands he made were one of the three: dragon nerves, phoenix feathers, and unicorn tail hairs.

However, Wright also knew that the Ollivander family had tried other core materials, such as the five-foot-long English oak wand, the core of which was the troll beard that Wright had never heard of. That was the real magic wand!

And what I have seen on the system panel before is... Wait, Wright suddenly called up the system panel. He had always thought that his wand had a core, but in fact, the information on the item column given on the panel has always been "Wand of unknown material", of course, it has now become "Saprophyte wand".

The system panel has never mentioned the material of the wand's core!

"Yes, there is no core," Nicolas Flamel said, "Your wand is completely the trunk of a saprophyte tree, and there is no core attached."

So this is just a wooden stick? Wright put away the system panel and looked at the bracelet on his wrist with a little surprise.

"But I don't know which genius from Ollivander directly imprinted the pattern of the saprophytic wood into a new wand core," Nicolas Flamel looked at Wright's wrist, "so even if the wand core made of magical biological materials is not added, this saprophytic wood wand is still a very powerful wand."

"It is precisely because the saprophytic wood comes from hell that it is so obedient to your shadow energy."

Wright stretched out his left hand and tapped the bracelet on his wrist. It immediately slid from his wrist to his right palm according to Wright's will, and in an instant it turned back into the original wand. Wright opened his palm slightly, and the wand slid down, and when it approached Wright's wrist, it turned into the shape of a bracelet again.

Wright didn't bother to think about why the wand suddenly turned into a bracelet. After all, no matter how you look at it, it was Nicolas Flamel's alchemical method.

Nicolas Flamel looked at Wright playing with his wand happily, and his voice suddenly became inaudible: "Infinite Ouroboros..."

...

Two days had passed since Nicolas Flamel explained to Wright the material problem of his wand. Wright, who felt that he had completely recovered from the sequelae of using the Time Corridor, was also ready to start making his first alchemical work.

Walking to a blank wall on the first floor, Wright stretched out his hand and gently waved it about ten centimeters away from the wall.

With Wright's movements, a complex magic circle with a golden edge suddenly appeared on the wall. A ray of light flashed, and a crack appeared in the middle of the magic circle, and the originally smooth wall turned into an exquisite wooden door. Wright pushed open the door, and an elevator hidden in it appeared. Wright walked into the elevator, and the wooden door closed instantly. He gently pressed the golden button behind the wooden door.

Accompanied by a very slight vibration, Wright slowly sank into the ground with the elevator. The elevator carried him down for nearly three minutes, and then after another shake, the elevator stopped at an unknown depth underground, which was exactly where Nicolas Flamel's alchemy workshop was located.

The elevator door opened with a bang, and Wright once again opened a metal door full of prohibitions, and Nicolas Flamel's alchemy workshop appeared in front of Wright.

This was a huge space that was magnificent and luxurious, about the size of four Hogwarts Quidditch pitches. The floor of the entire alchemy workshop was composed of a whole piece of shiny dark black floor. It was unknown what material it was made of. Some silver lines were engraved on the floor to mark the path. The peacock blue ceiling, which was the color of the sky, was inlaid with some constantly moving golden symbols.

In the middle of the alchemy workshop was a pyramid made of pure gold. No adhesive was used, just like building blocks, relying entirely on the weight of huge pieces of gold and excellent cutting technology to maintain its stability. Although there was some wear and tear on the corners, the magic lines carved on the surface of the pyramid were still very clear.

A ball of light floated on the top of the pyramid, constantly releasing bursts of golden light, just like the sun in this small space.

However, every time Wright passed by, he always felt that this pyramid looked a little bit like...

A human cannon...

In other corners, there were several huge metal puppets, more than a dozen rudimentary magic cannons, and some scattered magic tools that Wright thought should never appear in the Harry Potter world, which were placed in Nicolas Flamel's alchemy workshop.

Wright didn't know to what extent Nicolas Flamel was excluded by the people of the Holy Church during the alchemy war. In Wright's opinion, these alchemy tools in Nicolas Flamel's alchemy workshop were enough for him to fight a complete and high-intensity war!

Having said that, Wright didn’t feel that Nicolas Flamel was on the side of the Dark Alchemist at that time. After all, the main help for him to achieve his current achievements was the "Book of Abraham", and that came from A gift from an angel.

Therefore, Nicoléme's main position at that time should still be on the side of the Holy Cult, and from time to time he would help fight the Dark Alchemist together.

However, the Ollivander family is a little uncertain. The little conflict Nicolème mentioned when talking about his wand should refer to the direct conflict he had with the Ollivander family during the Alchemy War. Confrontation, and the goal is to compete for the two saprophytic tree materials from hell.

Wright followed the silver metal carvings to a huge workbench on the right side of the workshop, where he had been working mainly for the past two days.

Before preparing to make his first alchemical work, Wright once imagined what type his first alchemical work should be.

He doesn't want to make a flying skateboard yet, which is the result of Fred and George's efforts; weapons and armor are not needed for the time being, so they can be ruled out first; and the magic books are too high-end, and with Wright's current magic knowledge Reserve, even if you refine a magic book, it will only contain other people's ideas.

Wright would like to make time and space props, but his strength doesn’t allow it!