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"Ahead of time?"

Obviously, what Zhao Fusheng said surprised Ye Jing, he couldn't understand Zhao Fusheng's meaning.

Zhao Fusheng chuckled, and explained: "Do you think that if we cultivate a star like you mentioned, it will be beneficial to our movie box office?"

"Of course there is."

Ye Jing said: "I have calculated it, it is very beneficial, and we can get a lot of rewards from it."

While talking, he simply took out a stack of materials. Obviously, he came to the conclusion after conducting a special investigation.

Zhao Fusheng looked at those materials, but remained silent for a long time.

In fact, he knows very well that popular stars can reach [-] million box office by driving pre-sales in the early stage and relying on core fans, but if they want to hit the box office, it mainly depends on ordinary audiences.

In fact, if fans can contribute [-] million box office, it is already very scary, but if a movie starring traffic stars only has [-] million box office, then most of them will not be able to recoup the cost.

So the next question is, why did ordinary audiences "not catch a cold" for movies starring traffic stars?

Relying on movies that pile up traffic stars, why is the movie box office still not high?

The sum of fans is not proportional to the movie box office?

Could it be that the core fans don't buy it anymore?

Zhao Fusheng knew that Ye Jing couldn't answer this question.

Even Zhao Fusheng himself couldn't tell him about it.

You can't tell Ye Jing that after many years, although traffic can still make money for the company, in fact, traffic has become a derogatory term.

If an actor is marked with the word traffic, it means that this person has no skills and only relies on his face for food.

Any entertainer with a little ambition would know that this is not a good thing.

Therefore, generations of traffic stars are desperately trying to get rid of this image.

It is undeniable that many of them have worked very hard, including Han Lu and Big Bowl Wide Noodles among the four returnees, as well as Tang Zhu and Li Yifeng, who were early traffickers. The play of one's own image.

It's just that some of them succeed and some fail.

It can only be said that time is also fate. The actor's bowl of rice is not something that can be eaten just because he is handsome.

"How about it, did you mess up?"

Ye Jing looked at Zhao Fusheng expectantly, expecting this guy to give him a positive answer.

He has the kind of cheerful personality. Even in the company, most of the time, he always smiles and rarely blushes with others.

But now, Ye Jing was really nervous.

Seeing his appearance, Zhao Fusheng couldn't help laughing.

"You guy, can't you?" Zhao Fusheng asked Ye Jing.

"What do you know, I thought about it for a long time before I figured it out."

Ye Jing curled his lips and said to Zhao Fusheng: "Just say it's okay?"

Zhao Fusheng thought for a while, and finally nodded: "It's fine, but let me say it first. During the operation of this matter, try not to make it too ugly."

"What do you mean?"

Ye Jing asked puzzledly.

Zhao Fusheng smiled wryly and said: "Could it be possible, do you think that if the hype is hot, there will be no need for gossip?"

"This one……"

As expected, Ye Jing didn't say anything anymore.

He and Zhao Fusheng are actually very clear that when it comes to hype in the entertainment industry, it is nothing more than gossip and blackmail.

Obviously, Ye Jing's plan naturally included these.

This is the reason why Zhao Fusheng specially told him.

He doesn't want the artists under his banner to become black people all over the Internet.

Chapter 4 and Eight

For Ye Jing, since he proposed this plan, in his mind, traffic stars like Xiao Xianrou are basically defined as money-making tools.

That's why Zhao Fusheng was worried about whether he would use some unconventional hype methods.

It's not a joke, it's a fact.

The reason why those traffic stars in later generations are disgusted by the public, even to the extent that as long as there are traffic artists participating in movies and TV dramas, they will be classified as bad movies. It is because of the various hypes of traffic, too much.

Good, bad, all appear in front of the public in a swarm.

Coupled with the fact that the quality of the work is really not good enough, it will naturally disgust the audience.

Except for Zhao Fusheng, he didn't know what the word traffic would mean in the future.

Some movies, even if they are of good quality, will be regarded as bad movies as long as they have something to do with traffic.

Of course, I have to admit that the acting skills of traffic stars are indeed "worrying". Acting can only rely on pouting, staring, roaring and roaring, without any level, and a stereotype has formed over time.

In addition, the cooperation degree of traffic stars is not high. A normal movie needs at least three to six months of filming cycle, but many traffic stars even stay for about a week and then leave. The schedule is too full.

To be honest, this is a double-edged sword.

The advantage is naturally that you can make a lot of money, but the disadvantages are also obvious, and word of mouth is easily damaged.

After all, if a company is labeled as traffic, the word-of-mouth that has been accumulated with great difficulty is really easy to be completely abolished.

For example, the company of Da Mi Mi, isn't that the case.

They make a lot of self-produced dramas at every turn, stuff their own company's artists into them, and then publish all kinds of news, so that many people don't want to watch that work when they see their company's name.

This is not a good thing for a film and television company.

Zhao Fusheng hopes that in the future, the film and television industry will be the next "Noon Sunshine", and definitely not to become the same company as Da Mi Mi.

"Enough is enough."

Zhao Fusheng thought for a while, and said to Ye Jing: "It's okay to be popular, and it's okay to support young people, but you must tell them that you can't become an artist who survives purely because of the popularity, only artists who really have their own works. Only then can we survive in this circle for a long time.”