Chapter 1312
Yang Yuhuan couldn't help but nodded when he heard Lu Yan's words.
"If the emperor likes it, I will study it specially." Yang Yuhuan blinked his big bright eyes and looked at Lu Yan beside him.
There was admiration, liking, and a trace of desire in Yang Yuhuan's eyes.
Yang Yuhuan also had a chance to become a queen. However, she also knew that she was far, far away from becoming a queen.
Ever since the death of Pan Jinlian, Yin Lihua's situation had been a bit wrong. She hardly managed the harem and delegated power to the people below.
Concubine Yan and Mrs. Mingzhu took advantage of the situation. Rise.
Of course, Yang Yuhuan, Zhao Feiyan, the Great Zhou Queen, the Little Zhou Queen, Zhang Lihua and others also have ambitions.
But there are only a few people with ambitions and means.
In addition to these, they also need the support of Lu Yan.
Without the support of Lu Yan, no one can become the queen.
Concubine Yan is very clever.
After Yin Lihua did nothing, she took care of the entire harem.
There is quite a feeling of"mother's love for the world".
Yang Yuhuan and Zhao Feiyan fought openly and secretly, but they found out She is not Concubine Yan's opponent.
Moreover, Concubine Yan has the support of Madam Mingzhu, coupled with her strong strength, which makes Yang Yuhuan dare not confront her head-on.
This is a rare opportunity to come out with Lu Yan.
There are only two people, how can Yang Yuhuan Will give up this opportunity.
Perform well in front of Lu Yan.
He also wants to be like Xi Shi.
Have a child
······
Lu Yan shook his head when he heard Yang Yuhuan's words.
"No, you are not suitable for this kind of dance. I still like your colorful feather dress song." Lu Yan didn't want Yang Yuhuan to learn peacock dance. He liked Yang Yuhuan to dance classical dance. He is as graceful as a startling giant and as powerful as a swimming dragon.
It can be said that a hundred I can’t get tired of watching it.
It’s one of Lu Yan’s favorite dances.
After hearing Lu Yan’s words, Yang Yuhuan nodded happily.
"Then I practiced the song of colorful feathers. During this time, I watched Sister Feiyan’s dance and understood a new dance. When I write the dance, I will tell you." Yang Yuhuan was very happy
"Then I'm looking forward to your masterpiece," Lu Yan encouraged.
For the girls in the harem, Lu Yan's first priority is to support them.
"yes"
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After the peacock dance, there is another exquisite dance.
This time it’s not modern dance, but classical dance.
Beautiful costumes.
Stunning beauty.
The clothes dance with the beauty, constantly changing the scene in the air, which is beautiful.
It makes people's eyes stunned.
All of these beauties have long legs.
The fingers are like peeling onion roots, and the mouth is like holding vermillion pills.
His eyes are like autumn water.
Implicit in the eyes.
Show off your charm with every move you make.
All around, the music of silk and bamboo orchestral music and the music of bronze weaving complement each other and complement each other.
Make beautiful music.
After Lu Yan heard this, he also fell into intoxication.
In the air, there are wisps of soft sounds, as if fairies are flying, snowflakes are falling, and flowers are blooming.······
There are divine sounds in heaven and earth, nothing more than this.
Although there are not as many musical instruments in ancient times as there are modern ones, versatile people still made many musical instruments from various materials.
For example, guitar.
This guitar is not an electric guitar, but an ordinary guitar.
There are many modern people among the players. In reality, they are the ones who make guitars.
The process of making a guitar is not as complicated as imagined.
A person with good craftsmanship can make it.
Purely handmade guitar.
Not only is the price high, it's also quite expensive.
Many classical instruments are handmade.
For example - Guqin.
The guqin has beautiful shapes, and the most common ones are Fuxi style, Zhongni style, Lianzhu style, Luoxia style, Lingji style, Banana leaf style, Lingguan style, Shennong style, Xiangquan style, Fengshi style, Shikuang style and Yaqian style. , Zhongli style (He Ming Qiu Yue Qin), Sword style, etc.
The length of the guqin is about three feet, six inches and five, which symbolizes the three hundred and sixty-five days in a year. Its round face and flat bottom symbolize the heaven and earth. The body of the guqin corresponds to the body of the phoenix, with a head, neck, shoulders, waist, tail and feet.
In order to fully vibrate, panels are generally made of pine wood such as paulownia and fir.
The whole body of the guqin is painted with a base of raw lacquer mixed with antler frost powder (or tile dust). After it is completely dry and smooth, it is made by wiping the raw lacquer several times.
The wood for the piano surface must be of high quality and have straight and even textures. It would be better if you can find ancient paulownia wood, the wood used to hang bells on the beams of ancient temples, or the old wood of ancient coffins. The inner belly of the piano surface is cut into a cavity, leaving a slightly raised sound at Longchi and Fengmarsh. Generally, there are two sound columns connected to the bottom plate of the panel to conduct vibration.
Regarding the guqin, the most cultural thing is the strings.
It is also the most important link, related to sound quality and silver.
There are seven strings on the piano surface from the outside to the inside, ranging from thick to thin. In ancient times, the strings were made of silk, but today they are mostly made of steel strings.
If there are not many turns when the string is wound to the foot of the goose, you need to use other strong wires to continue to increase the stability of the string.
The guqin originally had only five strings, which combined the five elements inside, metal, wood, water, fire, and earth, and the five notes outside, palace, business, horn, levy, and feather, symbolizing the five social levels of monarch, minister, people, affairs, and things. Later, King Wen and King Wu of the Zhou Dynasty added two strings, Wen and Wu, to symbolize the harmony between the monarch and his ministers.
