Chapter 27 One week course (Part 1)

【Transformation Spell】

[Level: Level 1]

[Lock the enemy in advance, clearly outline the image to be transformed in your mind, release a colorless light, and change the shape or appearance of the enemy hit. The greater the mass of the transformed object or creature, the more complex the structure and the stronger the magic magnetic field, the more magic power is consumed. Under the same conditions, inanimate objects are more likely to change shape]

[Magic consumption: 2~∞]

[Deformation library: Needle (no upper limit)]

[Damage: 2~∞]

[Note: Regular transformation will not cause damage, and overflow damage will only prolong the time that the enemy unit is transformed. More dangerous transformations, such as the disappearing spell, turn the enemy unit into nothingness and cause damage equal to the enemy unit's magic power plus health points]

[Effective distance: 20m. After exceeding 20m, the spell damage will be attenuated by 1 point for every 1m]

[Note: The damage is equal to the magic power consumption value. Example: Without considering the quality and structure of enemy units. An enemy unit with a magic power of 3 requires a transformation spell with a magic power consumption greater than 3 to transform it. For example, the damage of this transformation spell is 4. The enemy distance is 21m, and the enemy unit will not be able to transform]

[Magic Book Level: Level 2 (1000/500)]

This is the spell card of the Transformation Spell, the Vanishing Spell, and the Transformation Spell. These are all Transformation Spells, and one card can be used for multiple purposes.

It can be compared with the divine card [Boggart].

In class, Bagir also relied on the spell card to show off his power and turned a match into a needle before Hermione could.

I received praise and a pat on the head from Professor Maomao.

Unfortunately, a sudden explosion caused by Simo brought the happy time of touching his head to an end.

However, this is not without its benefits.

No longer obsessed with scratching his head and recalling the details of the spell, Bajir discovered the difference.

He had discovered before that casting a spell was like punching. The magic power of the fist would not be consumed, but the physical strength would be consumed in the process of punching.

But the transformation spell and the power of the ethereal spirit replaced part of the physical strength.

Maybe the rational spell is mental and the emotional is physical?

Before casting the spell, the clear image of the needle sketched in his mind disappeared the moment the spell was shot.

Filled as if they were ammunition.

Subsequent casting requires re-outlining.

Although the speed of sketching will be faster because it has been sketched once.

When I think of the concept of needle, the corresponding image will automatically emerge.

But this is too much trouble.

Unless you rely on the [Magic Book] to cast spells, it won't work just by 'consuming' magic power.

But, this is just an idea before other courses start.

That afternoon, the next step was the Charms class.

The short Flitwick first made Bajir shocked by his appearance.

He doesn't have white hair like in the previous movies, but like the later ones, he wears a little dress, has black hair, and his hair is neatly combed.

The content of the following course surprised Bajir, who had learned several spells by himself.

Some key points are not covered at all in the book.

Professor Flitwick talked about the concept of charm: changing the intrinsic properties of the object being cast.

All spells involve injecting one's own feelings into the spell to change the nature of the object being cast.

Such as the levitating spell.

When casting a spell, in addition to having a standard pronunciation of the spell and an accurate trajectory of the spell, it is also best to create a floating feeling in your heart.

In the terms of martial arts novels, the sword moves must be accurate. When calling out the names of the moves, there must also be corresponding sword intent.

Take the lighting spell that I actually learned in this class.

The point of casting a spell is actually to imagine a little fluorescence in your mind and let it emit with the spell.

When reciting the incantation [Fluorescent Flash], where should it be done lightly, where should it be done hard, where should it be done slowly, and where should it be done urgently.

The shaking of the wand when it is swung is actually unimportant.

If these two are achieved, you can actually cast the spell successfully.

But only finding the corresponding meaning is the real magic.

The perfect ‘swordsmanship’ that is both physical and spiritual.

Harry and the others were not impressed by Professor Flitwick's words.

Hermione just wrote it down in her notes.

Because Professor Flitwick only said these words.

In the content of the following courses, Professor Flitwick focused on the accuracy of the words and wand waving trajectory.

The importance of speaking mantras is that they are inner hints and limiters that limit the power of mantras.

This is also why some young wizards who are born with advanced skills will not use lighting spells as flashing spells.

Harry and the others also relied on the latter two points to easily master the lighting spell.

But Bagir is different.

Although he has a [Magic Book], he has not made the lighting spell into a spell card.

However, during pre-production, the spell data will also appear in part.

According to the [Magic Book], the magic power consumption of this spell is 2.

However, he tried to cast a spell with another more intuitive and reduced 'magic', imagining a little fluorescence in his mind when casting the spell.

The 'mana' consumed is 1.

So, whether it is a rational or emotional spell, it actually requires the addition of spiritual power?

For wizards without ‘magic’.

Their magic power and magic resistance are an inseparable whole.

If a beginner's magic power is too high, even a stun spell may kill someone.

Only with proficiency, that is, with a high level of magic cultivation, can one grasp the importance when wielding the fist of magic power with physical strength or mental power.

This is why the first lesson of the spell class is the Illumination Spell.

Let the weak wizards cast spells successfully and have confidence.

Let the strong wizards learn to adjust their power without knowing it.

In class, Basil actually noticed that Harry's pronunciation and the trajectory of the wand swing were not standard.

He seemed to rely on his superior magic power to force the spell to succeed.

Basil suspected that he also succeeded in self-study in the beginning.

This is the benefit of the long-standing pure-blood wizards.

Other low-magic wizards need to work hard to correct their accents and wand swing trajectories before they can successfully cast spells.

And the high-magic wizards can succeed by just chanting spells and waving their wands.

However, this is only the early stage.

For the spells learned in the senior grades, even the high-magic wizards need to master these basics.

At that time, the low-magic wizards, with repeated practice and growing up, have already improved their magic.

With a solid foundation, they can easily take the courses in the senior grades.

However, the young wizards with high magic power who rely on their talents need to correct the bad habits they developed in the lower grades in order to make progress.

Just like Chenxiang fighting Erlang Shen in the early stage of the Legend of the Condor Heroes, he was a little bit short of everything, and accumulated everything.

Wait, could this be another reason why Slytherins are stronger?

They are born with high magic power.

They are used to wielding the fist of magic with physical strength, and they don’t even pay attention to the basics.

They have been able to exercise their physical strength, and with heredity, they have always maintained a strong and sturdy figure.

When they suddenly find themselves weaker than Muggle and half-blood wizards in the senior grades, they can’t help but feel disappointed.

In addition to the talent of [Mastery of Dark Magic] that almost everyone has, they can only be confident in dark magic that can be performed with malice.

And because dark magic can make people’s personalities dark and evil.

So this is also the reason why there are more dark wizards in Slytherin?

There are relatively few dark wizards among wizards who are good at Transfiguration.

Is it because it requires wizards to use spiritual power from the beginning?

A young wizard with high magic power and bad habits can completely rely on the addition of spiritual power in the senior grades without correcting bad habits and not falling behind.

Thus, he will not fall into the arms of black magic.

Outrageous. Really outrageous.

These are things that cannot be felt without actually traveling to this world, becoming a young wizard, and receiving education.